WRATH OF THE TITANS (12A, 99 mins) ***
Starring Sam Worthington, Liam Neeson, Ralph Fiennes, Danny Huston, Edgar Ramirez, Rosamund Pike, Toby Kebbell, Bill Nighy, John Bell, Sinead Cusack. Director: Jonathan Liebesman.

Never underestimate the intoxicating power of nostalgia.

Louis Leterrier’s bombastic 2010 remake of the cult swords-and-sandals adventure Clash Of The Titans suffered a critical mauling, and was deservedly lambasted for an ill-judged last-minute conversion to the 3D format.

His clumsy, soulless retread paled next to the 1981 original, which was distinguished by the artistry of Ray Harryhausen’s stunning stop-motion monsters.

Yet, the film still amassed close to half-a-billion dollars at the worldwide box office.

Money talks and consequently the gods and monsters of classic Greek mythology live to slay another day in Wrath Of The Titans.

“The time of the gods is ending and the son of Zeus cannot hide from his destiny forever,” explains the guttural voiceover.

Demi-god Perseus (Worthington) returns to his fishing village with ten-year-old son Helius (Bell), hoping to put his monster-slaying days behind him.

Alas, war looms because the humans have neglected the gods, weakening brothers Zeus (Neeson), Hades (Fiennes) and Poseidon (Huston).

Consequently, the imprisoned Titans led by the gods’ banished father Kronos are gaining in strength and will soon escape the cavernous dungeon prison of Tartarus designed by fallen god Hephaestus (Nighy).

Zeus is betrayed by Hades and his godly son Ares (Ramirez), who have forged a pact with Kronos to retain their immortality once hell is unleashed upon the Earth.

Perseus answers the call to arms to rescue Zeus, slaying a menagerie of terrifying beasts with the help of feisty Queen Andromeda (Pike) and Poseidon’s wise-cracking demi-god offspring, Agenor (Kebbell).

Wrath Of The Titans is an improvement on the first film, but the bar was set low and this special effects-driven sequel doesn’t learn from previous mistakes, once again putting spectacle ahead of emotion in every frame.

Action sequences are still too frenetic, shot on handheld cameras in perpetual disorienting motion.

The 3D is more convincing, though still without any artistic merit.

Worthington flexes his muscles convincingly and Kebbell offers some welcome comic relief, but there’s no emotional depth to characters and the heartbreak of closing scenes fails to wring a single tear.

“There’s more to life than gods and titans,” Perseus tenderly counsels his son as he prepares for the perilous quest.

Alas, there’s not a great deal more to this film, save perhaps for the insistent score and a miasma of digital trickery.