HORROR has been a cinema staple since the dawn of moving pictures.

But moviemaking has come a long way since Charles Ogle's appearance as the Frankenstein monster (popping up from a smoking cauldron) 110 years ago.

Bradford Telegraph and Argus:

Charles Ogle as the monster in Frankenstein (1910)

That said, some movies have retained their power to shock.

Here's our selection of the ten most terrifying movies - in order of the date they were made - to watch this Halloween:

10. Nosferatu may be 98 years old but Max Schreck's bald-headed vampire count remains the stuff of nightmares.

Ironically, the makers of Nosferatu were sued by the widow of Dracula author Bram Stoker for plagarism.

In a bid to avoid a costly court case the company that made the film - Prana Film - declared bankruptcy, but that didn't stop judges ordering all copies of the movie to be destroyed.

Luckily for horror buffs copies in America - where the film was awaiting a release - survived (because Dracula was already out of copyright in the US) and a masterpiece of the macabre was preserved.

Schreck's make-up has become iconic. It was reused by Werner Hertzog for his so-so remake of Nosferatu in 1979 and a variation appeared the same year in Salem's Lot.

Bradford Telegraph and Argus:

Iconic: Max Schreck in Nosferatu

9. Frankenstein: Bela Lugosi kicked off the Universal horror era with Dracula in 1931 but it was the follow-up which really sent audiences reeling from their seats. Lugosi famously refused the role of the monster (but not before he filmed a test reel in the make-up) so the role went to little-known British actor Boris Karloff.

Universal threw money at Frankenstein and the result is hugely impressive. The black-and-white photography is terrific and the expressionist sets are superb.

The death of a little girl was censored in the UK and a fully restored print was not screened here for decades.

The sequel, Bride of Frankenstein, is a masterpiece in its own right but ramps up the laughs at the expense of the chills.

Bradford Telegraph and Argus:

KARLOFF: Jack Pierce created the make-up worn by Boris Karloff in Frankenstein (1931)

8. The Cat People: Val Lewton made a series of low-cost horrors for RKO in the 1940s. For budgetary (as well as artistic) reasons they majored on psychological scares rather than ambitious make-up.

Cat People is the best of the lot. The story of a strange woman (Simone Simon) who turns into a panther when she is aroused, Cat People is a masterwork of suggestion.

The scene where the heroine is stalked, which ends with a jump shock, is so good it became known as 'The Lewton Bus' because it was reworked by so many other films.

Bradford Telegraph and Argus:

7. Dead of Night: Ealing may be best known for genteel comedies but it's sole horror entry is one of the very best.

A portmanteau work woven around a never-ending nightmare, Dead of Night was the first Brit horror after the Second World War and it blew audiences away.

All the stories are good (even the comedy golfing segment) but 'Room for one more inside' and the ventriloquist's dummy are the best.

6. Dracula: Hammer Films became the world's leading exponents of horror throughout the 1960s and into the early 1970s off the back of this masterpiece.

The previous year's Curse of Frankenstein had established the template - garish Eastmancolor, blood, violence and more than a suggestion of sex - but it was Dracula that cemented the studio's reputation and made stars of Peter Cushing and Christopher Lee.

5. Psycho: Alred Hitchcock wanted to make Robert Bloch's novel so badly that he agreed to film it on a shoe-string. Using a crew largely culled from his television show, Hitch fashioned a chilling portrait of insanity.

The shower scene (which may - or may not - have been directed by Saul Bass) has been copied hundreds of times - but never bettered.

4. Night of the Living Dead: Former documentary film-maker George A Romero shook up horror cinema with this black-and-white zombie shocker.

Until NOTLD zombies had been voodoo-inspired shambing wrecks. Romero made them cannibalistic rotting corpses that could only be stopped by a bullet to the head.

Romero wasn't the first to show graphic on-screen violence (HG Lewis had gone much further in his infamous gore movie Blood Feast back in 1963) but he did make it authentically real.

NOTLD's subtext about race means it remains as relevant today as it was in 1968.

3. The Exorcist: People queued around the block to watch this film which became the first Hollywood horror blockbuster.

Dick Smith's make-up and Mercedes McCambridge (who provided the voice of the demon inhabiting Linda Blair) are the stars of the show.

Imitators like The Omen mined a rich vein at the box office, but only The Exorcist retains its power to shock.

2. Texas Chain Saw Massacre: Made on a tiny budget by a bunch of youngsters fresh out of film college, Chain Saw's gruelling filming conditions have given the film a sweaty, gritty authenticity that has never been bettered.

Banned in Britain for decades (and one of the first video nasties) Chain Saw is surprisingly light on blood letting but the savagery of its protagonist (Leatherface) is so frightening that audiences are convinced they are seeing more than is on the screen.

Bradford Telegraph and Argus:

LEATHERFACE: A terrifying force of nature in Texas Chain Saw Massacre

Tobe Hooper did some good work after - Salem's Lot, Toolbox Murders - but nothing like this.

1. Saw: The sequels may have degenerated into blood-soaked dross but the original Saw is a true shocker.

Violent, well-acted and well-plotted, Saw is the best horror of the 2000s.

The film's final twist will leave you slack-jawed.

Honorable mentions: London After Midnight: Lon Chaney's turn as a vampire was his masterpiece. Chaney did his own make-up. He used sharpened teeth and wires to pull his skin back from his eyes so they bulged from his skull. The original print was destroyed in a fire in the 1960s and all attempts to find another have come up empty.

The Wolf-Man: Lon Chaney Jnr followed his dad into horror. His werewolf make-up (courtesy of Universal maestro Jack Pierce) is iconic and the film packs a few chills but has lost its ability to shock.

King Kong: Laid the template for all creature features to come. Stunning effects work by Willis O'Brien.

Reanimator: Shocks and laughs, plus non-stop action, make this a perfect Halloween night treat. The poster sums it up: "Herbert West has a good head on his shoulders... and one on his desk."

Theatre of Blood: Vincent Price at his very best. So many memorable scenes and a great cast. The highlight? When poor old Arthur Lowe has his head sawn off in his sleep.

An American Werewolf in London: Rick Baker's transformation effects may have aged but the film remains a classic of the genre. Great fun and some genuine scares.

The Living Dead at Manchester Morgue: Set in the Lake District, filmed in the Peak District, George Grau's unofficial Night of the Living Dead remake is a tour de force of Spaghetti horror. Great score and fabulous effects work.

Zombie: Known as Zombie:Flesh-eaters in the UK, this is the best film by Italian director Lucio Fulci. A pounding score and terrific make-up really make this fast-paced splatterthon a treat for the senses. The splinter-through-the-eye gag will have you watching through your fingers.

Left field TV choices: Beasts - Nigel (Quatermass) Kneale's horror anthology gave a generation sleepless nights in the 1970s. The best episode? During Barty's Party when a couple are besieged by a pack of frighteningly intelligent rats.

And our most frightening movie of all?

Bradford Telegraph and Argus:

Threads: The BBC docu-drama about a nuclear strike on Sheffield is guaranteed to give you nightmares.

Why is it so frightening? Because it could really happen.