Edward Scissorhands
Alhambra Theatre, Bradford

WHEN an eccentric inventor sets about creating a boy using odds and ends of his workshop, there begins a potentially touching father-and-son relationship, albeit with dodgy ethical leanings.

But the inventor dies before his creation is complete, leaving the boy a grotesque half-creation with makeshift hands made of scissors.

Not your obvious choice for a ballet, or indeed a family show, but renowned choreographer and director Matthew Bourne pulls off both in a spectacular slice of dance theatre that has become a global hit.

The gothic modern fairytale returns to Bradford in its first major revival, for a new generation of dance fans and theatre-goers to enjoy. And for diehard New Adventures fans like me, it's a chance to re-visit the visually stunning, bittersweet show based on Tim Burton's magical movie.

Set adrift in a white picket fence neighbourhood, Edward is 'adopted' by a wholesome, well-meaning family and before long the neighbours are taking him to their hearts too, not least because of his scissor-sipping talent for hairstyling. But when he comes up against a jealous teen with dented male pride, and a middle-aged vamp whose attempts at seduction are thwarted, Edward finds himself an outsider once more.

Performed by a terrific cast of dancers, each bringing their character to life with quirky movements and expressions, the action unfolds against Les Brotherston's vibrant set, to a lively score by Oscar-nominated Danny Elfman.

Liam Mower brought Edward beautifully to life, moving like Charlie Chaplin with a graceful awkwardness, in child-like awe of all around him. And Katy Lowenhoff gave a powerful performance as Kim, the smalltown girl who shows him love.

Moonlit gothic darkness interweaves with brightly-coloured suburban scenes of teenage parties and housewives' get-togethers. It's a witty, haunting, sexy and fun show, with a bewildering array of spectacular visual effects includes dancing topiary people and ice sculptures.

Anyone put off by the notion of going to see a ballet needn't be. There's not much traditional ballet in it, and there are no tutus, tiaras or ballerina ensembles in sight. This is dance theatre and old-fashioned family entertainment, with a big heart.

Runs until Saturday.