BEHIND the election of the past five Presidents of the United States
is a little lady who looks like -- and is -- a great-grandmother.
Her name is Lillian Brown and you find out about her, in Washington,
through the political grapevine or, in my case, the old girl network. Or
else you come across her book, Your Public Best, first published in l989
by Newmarket Press.
For over 30 years Lillian Brown, who says she's proud of her age but
doesn't amplify that statement, has been active in radio and television,
as a producer, voice coach, image consultant, and teacher.
She got her toe in the door because CBS noticed the nice professional
make-up she did on members of her daughters' school's parent-teachers
association when they were on local television shows.
For many years she has been the chief TV make-up artist for CBS News,
working with greats like Walter Cronkite, Dan Rather, and Diane Sawyer.
She has also produced and taught radio communication at Washington's
three major universities, George Washington, American, and Georgetown,
winning awards for her shows, and going on the air herself.
Her involvement with the White House as consultant, both to those
already there and those who aspire to follow them into the Oval Office,
started with Dwight D. Eisenhower. During his first run for the
presidency, his appearance changed, perforce, from that of a general in
a beribboned uniform to that of a middle-aged man in a lounge suit. He
also had a bald head which reflected the television lights. For that
problem, Lillian's solution -- not only for Ike but later for Gerry Ford
-- was to have him carry a little compact of a special pressed powder,
which he dabbed on immediately before going on the air.
If she ever finds time to write her memoirs, Lillian Brown could add
many other fascinating footnotes to history.
When John F. Kennedy ran for the presidency against Richard Nixon, a
contributing factor to JFK's close win was the unappetising way Nixon
sweated during their debate on television.
''Nixon was using the wrong make-up,'' says Lillian, who, much later,
became his cosmetics adviser. ''And Kennedy was confident and assured on
camera because he understood everything about it. He'd been on
television programmes like Face the Nation 11 times before the
presidential election debate. He'd also talked to the technical crews
before and after every appearance and he knew exactly what each one
did.''
JFK always remembered, when on a show, that the camera might zero in
on him any time, so he constantly controlled his body language.
He would never, as George Bush did, have checked his watch while his
opponent had the floor.
Kennedy was a professional about his public appearances. So, of
course, was Ronald Reagan, that great communicator who, as Lillian puts
it, ''looked and acted presidential. It was incredible how he could read
a teleprompter.''
She refuses to gossip about her clients -- or at least pass along
negative things about them -- but the famous aren't reticent about
admitting they sought her advice. On the cover of the first of Lillian's
books, Senator Barbara Mikulski, no glamour girl but good at getting
elected, confesses frankly that Lillian made her ''look 10 years younger
and 10 pounds slimmer''.
When my novel, Home To Strathblane was brought out by Argyll
Publishing and, as a participant in the Scottish Book Fortnight, I had
to plan a trip home from Washington to make public appearances at
libraries and bookstores, a prominent woman scientist at the National
Institute of Health recommended that I take instruction from Lillian
Brown.
''I did that when my job began to involve a lot of meetings and
speeches,'' she said. ''Lillian can afford to coach private clients
quite reasonably, she has so many regular assignments with public
figures and the networks. And she's become one of my best friends. She's
a dear!''
Nevertheless, I arrived for my first session thoroughly scared
although my inhibitions vanished within the first five minutes, and I
found myself pouring out my misgivings, confessing to stage fright,
which, according to Lillian, is a common problem and comes from not
feeling prepared, and can be controlled by having enough oxygen in the
lungs.
Lillian Brown is small, wears pleasing clothes in non-threatening
colours. She has a warm smile and bright, lively eyes that you know miss
nothing but it doesn't scare you because she's not judgmental.
She takes people as they are and works with them to bring out their
good points, helps them to look and act their best.
What she told me were things I'd known from my youth up but just
hadn't done, at least not in years. Like breathing properly, keeping my
lungs and diaphragm filled with air. She recommended yoga exercises, and
of course I'm an enthusiastic, though lax, student of yoga. It helps
relaxation, while certain specific postures (asanas) like the Lion and
the complete breath, clear the throat and the nasal passages. Even a
little regular practice made a dramatic improvement to my sense of
well-being.
Make-up, according to Lillian Brown, must be subtle. ''An audience
shouldn't think 'What beautiful make-up!' They should think 'What a
beautiful person!' '' she says. The colour of the eyes is important, and
what one wears brings this out.
Black and navy don't show up well at a distance or on camera, and
white is too stark close to the face. That's why nearly every man on
television wears a pale blue shirt. Red is a powerful, dominating colour
so needs to be used sparingly. It's well to avoid spectacles with heavy
frames, shiny jewellery, and anything that reflects back light or is
otherwise distracting. Hair styles, Lillian feels, are personal things,
but showing too much forehead can add years.
Her biggest challenge with President Clinton, for whom she is
constantly on call, is that his skin is sensitive to the sun and tends
to turn pink after he's been outdoors jogging. ''President Carter had
the same problem,'' she remembers. Her solution is ''to go for the
cheekbones'' then try to equalise the colour of the rest of the facial
skin. Although she's worked with a lot of Republicans, she has a great
admiration for the present administration in Washington.
Male politicians, she commented, no longer consider make-up artists a
threat to their manhood as they did 25 years ago. She has also been a
godsend, and not just on make-up, to the women who are now moving into
public life. ''Her advice on how to hold a press conference is as sound
and useful as what colour of dress to wear,'' says Governor Ann Richards
of Texas.
In essence, her advice is that old Boy Scout injunction: ''Be
prepared.'' Because, she points out, something always goes wrong.
Most recently, in Washington, the teleprompter flashed up the wrong
speech for President Clinton to deliver when he went on national
television to announce his important health plan.
Fortunately, he immediately recognised what had happened as did his
horrified aides, and he was sufficiently at ease in the media to ad lib
until the computer located the right material.
''And didn't he look nice!'' said Lillian Brown who'd been at the
White House all week, and had been given a good seat in the audience.
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